Sunday, January 30, 2011
Sassy Sister Vintage Necklace Giveaway! (CLOSED)
Saturday, January 29, 2011
Thursday, January 27, 2011
For Lisa
Wednesday, January 26, 2011
Proto Cindy Sherman
Sunday, January 23, 2011
Feeling Spotty
Thursday, January 20, 2011
Welcome to Vintage Park!
Tuesday, January 18, 2011
The World's First Fashion Bloggers
Monday, January 17, 2011
Vintage Shaun Necklace Giveaway! (CLOSED)
Sunday, January 16, 2011
Who Needs Leather?
Saturday, January 15, 2011
Friday, January 14, 2011
Thursday, January 13, 2011
Dear Pop Divas: The Future Called, and It’s Not Gonna Be As Sexy As You Think
We were discussing with some friends the other night whether the 1970s would ever truly make a comeback in the same way that the 1960s, or even the 1990s, have. While the midi skirt will probably never enjoy a proper renaissance, it is clear that one vestige of the decade--Afrofuturism--has made something of a return thanks in large part to hip hop divas like Rihanna, Nicki Minaj and Beyonce's so-called alter ego Sasha Fierce.
Equal parts science-fiction, psychedelic style, and extraterrestrial attitude, Afrofuturism was a politically-inflected movement that explored the past and the future of people of color through art, music, poetry and literature by the likes of George Clinton, Sun Ra and Octavia Butler. More recently, musicians like Kool Keith, Outkast and even Kanye have dabbled in its remnants, as has P. Diddy-bankrolled gender-bender Janelle MonĂ¡e (whose album The Archandroid summons the movement in both form and substance).
But Afrofuturism's 21st century resurgence has been most prominently led by pop music's fairer sex, and the revival leaves much to be desired--mostly in the form of politics, sincerity and depth. This is not to say that we are not down with Rihanna's riff on Mad Max, or that Nicki Minja’s rainbow-dipped wig doesn’t have a certain amount of charm. It’s just that, back in the day, Afrofuturism was too freaky, too funked up, and far too far out to ever pass as pop. In dreaming up inter-planetary revelry, the movement's innovators (like its contemporary imitators) had a taste for utopian fantasy, irreverence and play, but their romanticism was never entirely divorced from the harsh realities of the real world, or the fucked up dystopia that it could ultimately fund. Today's future perfect divas don't seem all that interested in exploring whether the future will be just, only that it will be sexy (and that they will be 'the only women in it,' as Rihanna's thoroughly paranoid version suggests). But with large populations of birds inexplicably falling dead from the sky, a perpetual war in the Middle East, and the after-image of 40,000 tons of oil spilling into our rising oceans, we have to wonder just how sexy the future will truly be?